Rez Abbasi Quartet

Born on the Indian sub-continent, removed at the age of four to the driving sounds of Southern California, schooled at the University of Southern California and the Manhattan School of Music in jazz and classical music, as well as a pilgrimage in India under the tutorial of master percussionist, Ustad Alla Rakha, Rez Abbasi is a vivid synthesis of all the above stated influences and genres. Making New York home for the past 15 years, Rez Abbasi is considered by many to be one of the foremost modern jazz guitar players on todays scene. He has developed a unique sound both as a composer and an instrumentalist and has honed his skills with performances through out the world including multiple tours in Europe, Canada, the U.S., Mexico and India.He has performed and recorded with many greats including, Grammy winner Ruth Brown, Peter Erskine, Kenny Werner, Barre Phillips, Tim Hagans, Marc Johnson, Billy Hart, Marvin 'Smitty' Smith, Gary Thomas, Rick Margitza, DD Jackson, Dave Douglas, Rudresh Mahanthappa, Tony Malaby, George Brooks, Pandit Ronu Majumdar, Pandit Kadri Gopalnath, Pandit Vishwa Mohan Bhatt, Greg Osby and a host of others.Among Rez's other creative projects is his long-standing association with bassist David Phillips, drummer Tony Moreno and alto saxophonist John O'Gallagher in the highly acclaimed, collective ensemble, "Freedance". Rez is also musical director and producer for Indian/Canadian Juno winning vocalist Kiran Ahluwalia's ensemble. He also plays an integral role in Rudresh Mahanthappa's Indo-Pak Trio and Dakshani Ensemble, Dave Pietro's Quintet plus Sunny Jain's Collective among others.With five albums of original compositions under his belt, Abbasi continues to garner new groups of musicians to help his musical vision come to life. His 2005 recording Snake Charmer has created astir in the music world partly due to his organic, original approach in blending two complex musical genres together, namely jazz and Indian music. 20th Century Guitar reviewed the CD as, "One of the best examples yet of how to merge Indian music with jazz...Snake Charmer really breaks new ground." In 2006, Rez achieved even greater heights with the follow up to Snake Charmer, Bazaar.Bazaar, on the prestigious Zoho Music Label, continues the groups journey through uncharted territory and achieves results unparalleled in todays jazz/world music scene. Rez makes wise use of his fellow player's talents to create a larger sphere of sound. Besides Gary Versace on organ and Dan Weiss on drums and tabla, Kiran Ahluwalia returns as a central member of the group. In her own group, Ahluwalia focuses on the Indian genres of ghazal and Punjabi folk music. And in it Abbasi hews closely to Indian musical conventions. On Bazaar, however, he and she and the group stretch way out. The breadth of Abbasi's inspiration sometimes invites guests to help realize it. In the past, he has had fine musicians such as Dave Liebman, Gary Thomas, and Peter Erskine. For Bazaar, he has chosen close New York collaborators, Rudresh Mahanthappa and Marc Mommaas on saxophones as well as Gautam Siram on south Indian percussion. Abbasi states, To create a world-based music steeped in jazz is my goal. In this way, I'm following in the footsteps of some of the greatest jazz musicians. Coltrane, Ellington and Gillespie all immersed themselves into music from around the world and then brought it back home. If I have that kind of unifying affect, I've succeeded!Weblinks:www.reztone.com <br /><br />This artist does not have a bio yet. <br /><br />Bassist and composer Chris Lightcap has collaborated with Marc Ribot, Regina Carter, Craig Taborn, Mark Turner, Joe Morris, Sheila Jordan, James Carter, Butch Morris, Ben Monder and Tom Harrell. Since 1998 he has also led his own groups and produced two critically acclaimed albums of original music.Born and raised in the great beer and steel town of Latrobe, Pennsylvania, Chris Lightcap started out on the piano at age eight, switched to violin at nine and began to teach himself the electric bass at fourteen. He simultaneously played violin in a local youth symphony and took gigs on bass guitar with local rock bands as well as his school's jazz and concert bands. As a senior in high school he started to study the upright bass and the following year he enrolled at Williams College. During this period he studied with jazz bassist Cameron Brown, composers Robert Suderburg, David Kechley and Alvin Lucier, trumpeter Bill Dixon, and the late master bassist Milt Hinton. While attending Wesleyan University for a semester he also had the privilege of studying and performing with master drummer Edward Blackwell shortly before his death in 1992. Upon graduating from Williams with the school's Hutchinson arts grant he moved to his current home, New York City. Lightcap eventually became busy performing and recording within the city's fertile jazz and contemporary music scenes. He also met many musicians who would become longtime creative collaborators. Meanwhile he continued his writing, contributing music to various cooperative bands and side projects. In 1998 he assembled his own group, featuring Gerald Cleaver on drums and Tony Malaby and Bill McHenry on tenor saxophones. Lightcap's debut as a leader, "Lay-Up", was released in 2000 on Fresh Sound Records and dubbed "one of the year's winners" by the New York Times. It also sat on the CMJ jazz chart for over a month, eventually reaching the #7 slot. In a New York Times review of one of his quartet's performances, Ben Ratliff wrote: "Mr. Lightcap is one of the few musicians working these days who has the breadth and inclination to divide his working life between what's called avant jazz and the mainstream." Lightcap's quartet released its follow-up on Fresh Sound, "Bigmouth" in early 2003. This latest CD also reached CMJ's top ten and was awarded the highest rating of "Choc" (Shock) by the top Jazz magazine of France, Jazzman. Bigmouth has also enjoyed wide acclaim in such publications as Jazztimes, Cadence, the Village Voice, All About Jazz and Double Bassist.In addition to an extensive career as a freelance upright and electric bassist, Lightcap is currently touring and playing around NYC with his current group, Bigmouth, featuring Malaby and Mark Turner on tenor saxophones, Craig Taborn on keyboards and Gerald Cleaver on drums. Recently this group received a New York Times review as well as reviews in the Newark Star Ledger and All About Jazz. Lightcap's composing has also extended to the realms of film scoring and chamber music. Most recently he was comissioned to write "Wiretap" for the new music ensemble counter)induction, which premiered the piece in October of 2006 at the Tenri Cultural Center in New York.As a sideman Lightcap enjoys work with a wide array of material and musicians, having toured and played major festivals with such bandleaders as Mark Turner, Ravi Coltrane, Joe Morris, Matt Wilson, Ben Monder, Terrel Stafford, and Rob Brown. He performed weekly with the Cecil Taylor Big Band in 1995 and was invited to perform in a trio with Archie Shepp and Sunny Murray in Paris the following year. For the next two years he worked regularly throughout New York City in a trio led by saxophonist George Garzone. In 2000 Chris joined the ensemble of Verve recording artist Regina Carter. He subsequently performed and recorded extensively with Carter for five years, touring throughout four continents and being featured alongside the rest of her quintet with the Boston, Atlanta and Minnesota Symphonies.He has played on over 40 CDs, including Craig Taborn's "Light Made Lighter" (Thirsty Ear), Regina Carter's "Pagannini: After a Dream" (Verve/Universal) Whit Dickey's "Transonic" (Aum Fidelity), Rob Brown's "Jumping Off the Page" (No More), and Joe Morris' "Underthru" (Omnitone), "A Cloud of Blackbirds"(Aum Fidelity), and "At the Old Office"(Knitting Factory Works). He has also recorded with Tom Harrell, Marc Ribot, Anthony Coleman, Steven Bernstein, Roy Campbell, and Mat Maneri.Weblinks:www.chrislightcap.com <br /><br />This artist does not have a bio yet.