From The Mountaintop Featuring William Parker, Alicia Hall Moran, Anne Marie Sandy, Juan Pablo Carletti, Gabby Fluke-mogul, Jame

William Parker <br><br><a href="http://www.williamparker.net/" target="_blank">William Parker official site</a> <br>William Parker (bass, double reeds, nGoni) <br>William Parker is the premier freejazz bassist/multi-instrumentalist, composer, improviser, author, educator and influencer. He has been called “one of the most inventive bassists/leaders since [Charles] Mingus,” and “the creative heir to Jimmy Garrison and Paul Chambers…directly influenced by ‘60s avant-gardists like Sirone, Henry Grimes and Alan Silva.” The Village Voice called him, “the most consistently brilliant free jazz bassist of all time” and Time Out New York named him one of the “50 Greatest New York Musicians of All Time.” Parker’s current active bands include the large-band Little Huey Creative Orchestra, the Raining on the Moon Sextet, the In Order to Survive Quartet, Stan’s Hat Flapping in the Wind, the Cosmic Mountain Quintet with Hamid Drake, Kidd Jordan, and Cooper-Moore, as well as a deep and ongoing solo bass study. His music has been released by AUM Fidelity, RogueArt and his own Centering Records, among many others. He has recorded over 150 albums, published six books, and taught and mentored hundreds of young musicians and artists. <br>He has been a key figure in the New York and European creative music scenes since the 1970s, and has worked all over the world. He was an important member of the Cecil Taylor Unit, as well as with Peter Brotzmann, Milford Graves, Billy Bang, Roy Campbell and David S. Ware, among many others. <br>William Parker works all over the world but he always returns to New York’s Lower East Side, where he has lived since 1975. <br>Photo Credit: Peter Gannushkin <br><br>gabby fluke-mogul<br><br>gabby fluke-mogul is a New York-based violinist, improviser, composer, educator, organizer and doula. Weaving within the threads of avant and free jazz, with deep roots in improvised and experimental music, their music has been described as “embodied, visceral and virtuosic” and “the most striking sound in improvised music in years”. gabby is humbled to have collaborated with Nava Dunkelman, Joanna Mattrey, Ava Mendoza, Charles Burnham, Fred Frith, Luke Stewart, Zeena Parkins, Tcheser Holmes, Mariá Portugal, Lotte Anker, Paula Sanchez, Susana Santos Silva, Lester St. Louis, William Parker, and Pauline Oliveros among many other musicians, poets, dancers and visual artists. gabby has toured throughout the U.S. and Europe, with recent performances at Cafe Oto (London), Calouste Gulbenkian Foundation (Lisbon), Curva Minore (Palermo), Stadtgarden (Cologne), The Pulitzer Arts Foundation (St. Louis) and The Stone (New York). <br><br>James Brandon Lewis<br><br>James Brandon Lewis is a New York-based jazz tenor saxophonist, composer, and bandleader. His instrumental voice marries the emotional power of gospel and the grit and groove of blues and R&amp;B to the modal and vanguard influences of Albert Ayler and John Coltrane , and Sonny Rollins ‘ expressive melodic and tonal discipline. Moments, his 2010 debut, was followed by two outings for Sony Masterworks ‘ revived OKeh imprint: Divine Travels in 2014 and the widely celebrated Days of Freeman the following year. After working American stages and clubs, he toured European and Asian festivals. Radiant Imprints, a duo outing with drummer Chad Taylor , appeared in 2018 and was followed by the quintet offering An UnRuly Manifesto a year later. In 2021, after he was selected as the “Rising Star Tenor Saxophonist” in the Downbeat International Critics Poll, Lewis issued The Jesup Wagon, his debut for Tao Forms . <br>Lewis was born in Buffalo, New York in 1983. Raised in the church, he was exposed to the aforementioned genres early, and studied music with Carol McLaughlin . He attended the Buffalo Academy for the Visual and Performing Arts. Upon graduation, he continued his studies with Charlie Young at Howard University. While at Howard, Lewis was able to study and perform with jazz artists including Geri Allen , Benny Golson , Wallace Roney , and Bill Pierce. He was a member of the Howard University Jazz Ensemble that toured Japan under the direction of Fred Irby, and performed at the Kennedy Center Honors backing John Legend , k.d. lang , and Vanessa Williams . <br>After graduating from Howard in 2006, Lewis moved to Colorado, where he became active in the gospel music community, performing with Albertina Walker and other luminaries. He also performed on the WORD television network and won an award for Best Instrumentalist at Dorinda Clark-Cole ‘s singers and musicians conference in 2007. <br>After establishing himself as a gospel musician, Lewis sought to expand his musical horizons. He attended CalArts, where he studied with Charlie Haden , Wadada Leo Smith , Vinny Golia , and Alphonso Johnson . He received a Master of Fine Arts degree in 2010. Moments, his debut album, was independently issued the same year. <br>Lewis attended the Banf Jazz Residency, where he worked with Dave Douglas , Angelica Sanchez , Joshua Redman , Hank Roberts , and Tony Malaby . It was there that he encountered the dynamic universe of free jazz. He was invited to participate in the Atlantic Center for the Arts residency by pianist Matthew Shipp and made more than an impression. Urged on by the pianist and others in the New York jazz community, Lewis relocated to New York City in 2012. He began woodshedding with a host of veteran musicians including Marilyn Crispell , Charles Gayle , Karl Berger , and Eri Yamamoto , to name a few. He was especially fond of playing with bassist William Parker and drummer Gerald Cleaver . <br>With the latter two musicians, Lewis released Divine Travels on Okeh in February 2014 and achieved instant acclaim for his ability to embrace and update the sounds of his influences with a unique, utterly contemporary voice. The following year, he issued the conceptual suite Days of Freeman for the label, leading a trio composed of drummer Rudy Royston and bassist Jamaaladeen Tacuma . The set won international acclaim for the saxophonist’s writing as well as his playing, providing Lewis the ability to play the European festival circuit as a bandleader for the first time. <br>In 2018, Lewis and drummer/percussionist Chad Taylor issued the improvised Radiant Imprints for Belgium’s Off label. He also appeared on guitarist Marc Ribot ‘s widely celebrated Songs of Resistance 1942-2018, the William Hooker -led Pillars … At the Portal, and on Allen Lowe ‘s Avant Garde of Our Own: Disconnected Works, 1980-2018. <br>The following year, Lewis issued An UnRuly Manifesto for Relative Pitch Records , leading a quintet that included guitarist Anthony Pirog , trumpeter Jaimie Branch , drummer Warren G. Crudup III, and bassist Luke Stewart. The set drew rave reviews for the finesse in Lewis’ playing and his canny interactions with Pirog . The same year, Lewis and the U.K. rhythm section of bassist John Edwards and drummer Mark Sanders issued the improvised digital outing 4.2.19 on Otoroku . He appeared on saxophonist Michael Eaton ‘s Dialogical, and on the digital Ropeadope -released Tenor Triage, with saxophonists Eaton and Sean Sonderegger appearing alongside him with the rhythm section of bassist Brad Jones and drummer Calvin Weston . <br>Though the world was shut down for much of 2020 due to the global COVID-19 pandemic, Lewis’ and Taylor ‘s concert performance at Switzerland’s annual jazz festival the previous fall was released as Live in Willisau by Intakt , as was the studio quartet outing Molecular with Jones, Taylor , and pianist Aruán Ortiz . To debut his new compositional strategy, Lewis dubbed the album “Molecular Systematic Music.” That year Lewis was voted Rising Star Tenor Saxophonist in Downbeat’s International Jazz Critics Poll. <br>Though he couldn’t tour in 2020, he was able to write and record. He conceived of a suite of compositions inspired by the life and work of George Washington Carver. In the fall of 2020 he assembled the intergenerational Red Lily Quintet — Taylor on drums, William Parker on bass, Kirk Knuffke on cornet, and Chris Hoffman on cello — to record it while socially distanced at the Park West Studio in Brooklyn with engineer Jim Clouse; it was titled The Jesup Wagon after the Carver-invented vehicle used in the Tuskegee Institute’s Movable School program. Author Robin D.G. Kelley stated in his liner notes for the album that on The Jesup Wagon “… Lewis has composed a body of work that captures the essence of Carver’s life, work, and vision. A serious student of Carver, Lewis peels back the facade of the old, kindly man conjuring up new uses for peanuts, to reveal the artist, botanist, ecologist, aesthete, musician, teacher, and seer who anticipated our current planetary crisis.” The Jesup Wagon was released by Whit Dickey ‘s Tao Forms label in May 2021. ~ Thom Jurek, Rovi <p><br></p>